"How Much Land Does a Man Need?" opens with a discussion between two sisters. One sister is hitched to a trader and boasts about the extravagances of city life. The more youthful sister—wedded to Pahom, a worker—protects her modest, free life in the open country. She also announces that more affluent individuals are more in danger of losing everything in their lives without notice. Pahom snoops on the discussion and considers the benefits of possessing a far reaching home, deciding, "Assuming I had a lot of land, I shouldn't fear the Devil himself!" (5). Catching Pahom's considerations, the Devil pledges to give Pahom land, at the expense of persuading him into an existence of voracity and moral profanity.
A female landowner in the town utilizes an old fighter to deal with her property. The fighter forces fines on the laborers, including Pahom, for minor offenses. The consistent installments trouble Pahom and different laborers sincerely and monetarily. Luckily, the landowner suddenly chooses to sell her territory, and the laborers segment off the property dependent on what they can exclusively bear. Pahom sells his possessions, works out his child, and takes out a few credits to buy a 40-section of land property. Later a fruitful reap, Pahom takes care of his obligations and feels huge pride toward his home.
In any case, when laborers start intruding his territory, Pahom fears for the state of his property. He grumbles to the neighborhood courts, notwithstanding knowing about the laborers' sincere goals. Like the warrior, Pahom demands heartless fines on the laborers, who start to disdain Pahom; some even take steps to consume his property. In the mean time, Pahom gripes that he feels excessively confined at his property, and a voyaging laborer tells him of a town past the Volga River, where families are quickly conceded 25 sections of land of rich land free of charge.
Interested, Pahom and his family move to the town, where they experience up versatility, or the rising to a more affluent financial class. Pahom currently possesses three fold the amount of arable land, shares public field, and can buy as much steers as he needs. In any case, he before long feels compelled by the size of his property once more. Needing to possess freehold land separate from a cooperative, Pahom before long experiences a passing laborer who offers him freehold land at a reasonable cost. A dealer then, at that point, interferes with Pahom from settling the arrangement, educating him regarding the far off locale of the Bashkirs, a gathering of Turkish individuals involving the Ural Mountains. The vendor guarantees that as long as Pahom offers presents to the Bashkirs, he can buy fruitful land for under two pennies a section of land.
Pahom goes to Bashkiria with one of his workers, leaving his family. He finds that Bashkirs are uninterested in overseeing and chipping away at their own territory, rather giving their chance to mingling and drinking kumiss with one another. Bashkirs energetically welcome Pahom, who then, at that point, gifts them with tea, wine, and garments and afterward communicates his longing to buy a portion of their territory. The Bashkir boss clarifies that he can guarantee as much land as he needs for 1,000 roubles per day; notwithstanding, he should divide land by foot, mark his spots with a spade, and return to his beginning stage by nightfall. Persuaded that he will actually want to guarantee however much land that he might at any point envision, Pahom energetically consents to the recommendation.
That evening, Pahom dreams that the voyaging worker, seller, and Bashkir boss each change into the Devil, who then, at that point, snickers at a dead body at his feet. Pahom finds that he is the dead figure and awakens, frightened. He disregards the bad dream and stirs the Bashkirs, pronouncing that he is prepared to begin covering his territory.
Furnished with a spade, some bread, and a jar of water, Pahom starts his stroll at the highest point of a little hillock and covers a few miles of land notwithstanding the furious hotness. Around early afternoon, he briefly reprieves to have a little lunch, yet keeps strolling at a hurried speed from there on. With ten miles left in his excursion, Pahom becomes depleted. He begins running, expecting that he won't get back to the hillock before nightfall. He moves toward the lower part of the hillock similarly as the sun sets. Recognizing the Bashkir Chief giggling and getting a handle on his sides at the highest point of the hillock, Pahom recollects his fantasy before at last imploding to the ground and biting the dust from depletion. Pahom's laborer burrows a little grave for Pahom, and the storyteller shuts the story with the accompanying comment: "Six feet from his head to his impact points was all he really wanted" (24).
The story presents Pahom, the story's hero, as a naive worker defenseless to change his life dependent on others' viewpoints. Like his better half, he underwrites the independence and difficult work epitomized in the proletariat. Notwithstanding, when he hears his better half's more seasoned sister excuse proletariat as sub-par compared to world class, more well off ways of life, he chooses to search out land and a higher monetary status. Directed by the Devil, Pahom's voracity and pride become his characterizing characteristics, and he energetically annihilates his associations with his family and collective, loses his empathy and appreciation for the lower class, and at last obliterates his own wellbeing in his fanatical interest for land.
Pahom frequently gripes of feeling confined and unfulfilled in his domains, which fills him to consistently search out more worthwhile land acquisitions. Pahom partners autonomy and opportunity with boundless property, however his insatiability forestalls his longing for an extensive domain to at any point arrive at satiation and, thusly, accomplishing a significant life. When he totally dedicates himself to land acquisitions and fails to focus on his profound quality and respectability, Pahom's person curve shows us the risks of putting a lot of accentuation on material belongings and monetary status.
As the inciting wellspring of Pahom's avarice, the Devil shows up in Pahom's life in a few camouflages, like the voyaging laborer, the seller, and the Bashkir boss. The Devil uses his power and camouflages to effectively entice Pahom progressively deep into his fixation ashore possession—and at last to his demise. The Devil treats Pahom's moral and actual breaking down as one expanded joke: he deciphers Pahom's assertion "On the off chance that I had a lot of land, I shouldn't fear the Devil himself!" as an individual challenge, and triumphantly giggles when Pahom winds up a carcass. The Devil in this way sees Pahom's tumult and loss of profound quality as a wellspring of amusement.
The spouse of a trader and Pahom's sister-in-law, the senior sister carries on with an affluent life in a close by city and communicates scorn toward her more youthful sister's working class. Agent of the high society, the senior sister boasts about her admittance to extravagant diversion, training, food, and garments in the city, which prompts Pahom to look for land proprietorship and up portability. Past her support of material abundance, tense and pugnacious relationship with her more youthful sister, and general haughtiness toward working class, the senior sister's portrayal is meager; interior ascribes like her relationship with her significant other, her inclinations, and her strict character stay obscure.
Hitched to Pahom, the more youthful sister encapsulates the poise of the working class. Her characterizing attributes incorporate her bluntness and insight, as confirmed in her energetic protection of provincial, country life, where she guarantees the laborer life takes into consideration independence and independence from higher specialists and saw improprieties of city life. The more youthful sister's admonition that rich individuals are "liable to lose all you [they] have" accelerates Pahom's decrease from a benevolent worker to an eager, shifty landowner who to be sure loses his property, compassion, feeling of local area, and his better half. Quite, the more youthful sister and Pahom's relationship at first appears to be amicable: Pahom conveys his disappointment over the officer's fines to her, and they cooperate and work out their child to buy their first piece of property. As Pahom turns out to be more fixated ashore obtainment, her quality in the story disseminates—until she is left behind by and large when Pahom goes to Bashkiria.
The Bashkirs are a gathering of Turkish individuals living past the Ural Mountains, and Pahom and his worker travel north of 300 miles to a Bashkirian town to buy property. The voyaging vendor portrays the Bashkirs as "basic as sheep," and the storyteller upholds this portrayal later Pahom and his laborer show up in Bashkiria, noticing, "They were very oblivious, and knew no Russian, however they were laid back enough." The Bashkirs are a lighthearted local area—they esteem relaxation, kumiss, and music, showing no interest in dealing with their property.
As the head of the Bashkirs and the Devil in camouflage, the Bashkir boss worsens and intensifies Pahom's insatiability and pride in the closing areas of the story. He offers Pahom however much land that he can divide in a day, orders Pahom to convey a spade to stamp his advancement as he strolls, and, in his last debut, he grips at his sides and chuckles at Pahom battling to arrive at the beginning stage, which reflects the symbolism in Pahom's fantasy.
The Bashkir boss is profoundly regarded inside the Bashkirian people group: a few of the Bashkirs accept that exclusively the boss can allow consent to give Pahom land. He is additionally the main Bashkir who can communicate in Russian.
The female landowner possesses a little domain outside Pahom's town. She keeps an agreeable, amiable relationship with the workers until she employs the ravenous, shifty old officer as her property director. At the point when she suddenly sells her property, she again works agreeably with the laborers and consents to their proposal for the bequest.
The old warriorn. The female landowner enlists the old officer to deal with her property, and he rapidly manhandles his place of pow
One of the few named characters in the story, Simon is the peasant that Pahom blindly accuses of stealing trees from his property. While the case is dismissed due to lack of evidence, Simon’s character represents Pahom’s increased hostility toward peasantry and lower class lifestyles.
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