Power by Audre Lorde Poem Summery

 

                              Poem Power

                                                     by Audre Lorde

About

The case referenced in this poem rotates around the murder of a ten-year-old black boy named Clifford Glover who was killed in 1973. His killer was a secret, bigoted cop named Thomas Shea. The kid was shot when he and his stepfather were halted in the city at 5 AM on April 28th, 1973. Thinking that the two were at legitimate fault for theft, the secret cops pulled up and drew their weapons. Clifford and his stepfather ran, accepting that they were themselves going to be ransacked. The exoneration of Thomas Shea, who was the primary New York City cop at any point pursued for homicide while working, prompted boundless uproars in the South Jamaica part of Queens, New York.
Lorde discovered that the official had been cleared while driving. She was so loaded up with rage that she needed to pull the vehicle over. Inside this sonnet, Lorde tends to subjects of racial bad form, bias, power, and bigotry.

Summarize

Popularity of "Power": 'Power' by Audre Lorde is a realistic and effective poem that takes on bigotry in the equity framework, police ruthlessness, and racial oppression.
 This poem was composed by Audre Lorde. It takes about separation, the maltreatment of force, and treachery.

It was first distributed in 1978. The poem talks about the vile activity of a white cop, who cruelly shot and killed a ten-year-old boy in the road. It likewise communicates the speaker's furious response toward this fierceness. The poem has unequivocal words and realistic depictions that may not be wonderful to peruse or imagine.


Inside the text of 'Force' Lorde tends to the murder of Clifford Glover and the court was that didn't bring equity for the kid or his family. She talks on her fury and how that fury is associated with the displeasure of those mishandled because of white oppressors over the course of time.

 The writer utilizes upsetting pictures of savagery and passing to strike at the core of the manner of speaking around whiteness and darkness. She likewise thinks about that way of talking to the power that verse needs to do despite these shameful acts.